Your guide to the heart of Litchfield County:
Discover local stories, hidden gems, and must-know events.

Kimberly and Clint Thorn feed their cows the finest, sweetest hay and natural feeds resulting in their signature cream milk and delicious artisanal chocolates, Milk House Chocolates, made with fresh orchard fruits, garden herbs, and honey. BY GENEVIEVE GEARITY

If you ask Clint and Kimberly Thorn for the secret to the success of their family business, they will probably say, “the magic is in the milk!” And indeed, everything about Thorncrest Farm’s meticulously loved and curated life, starting with the milk, is pure magic. From the moment you turn onto Town Hill Road in Goshen and drive beneath the arching canopy of leaves above you realize you’re about to encounter something really special.

When approaching Thorncrest Farm, with the management and maintenance of Clint and Kimberly’s two sons Garret and Lyndon, you come face-to-face with a cow barn so perfectly in sync with feng shui it would make your yoga teacher blush. The family farm’s core focus is simple: the comfort and happiness of their cows. And this is the key to everything – recognizing each cow’s individual flavor in the milk, and ensuring that flavor isn’t compromised by never allowing the cows to be stressed out.

This place is basically a bovine Eat, Pray, Love. “The whole barn is designed for flavor, and flavor comes from lack of stress,” says Clint. “Any kind of stress shows up right away in the milk… that’s my job, to keep the cows really stress-free.”

The barn is built so the cows’ heads or tails are aligned perfectly with the earth’s magnetic field. The ladies are facing either east or west, and the barn doors on either end open up to precisely polar north-south. This arrangement ensures for a relaxed environment, and a perfectly cool cross-breeze that swoops under the cows’ bellies, pushing the hot air up through a circular gap in the ceiling.

A thousand other factors are taken into consideration in the Zen of Cows. Anything from which cow is sitting next to which, to the hay they eat and the comfort of their beds can directly affect the flavor of their milk. After going out to pasture in the morning, the cows come back to their barn to relax on a bed of straw and thick, rubber mats.

The meticulousness does not stop there. Once the cows are sufficiently ommm, the milking process from start to finish is monitored with scientific precision. The milk is collected into pails and transported through a gravity system to the Milk House – it is never pumped, allowing the milk to remain whole and making all the difference in the pasteurization process. And of course, each cow’s milk is kept separate from the rest.

So after all the personal care and comfort is applied to the cows themselves, what then happens to the milk? Much of the milk is sold at the farm – each bottle coming from one specific cow by name. Then the fun part: much of the milk goes into the decadent, creative, one-of-a-kind chocolates that are handcrafted with (what else?) care by Kimberly herself.

Each chocolate is connected to a very specific cow, with each cow’s milk making an unbelievable difference in the flavor of the chocolates. Every single caramel is made strictly with milk from a small-breed Jersey cow named Daydream. When first developing the caramels, Kimberly painstakingly tried the recipe with other cows’ milk – to no avail. The sweetness and flavor of Daydream’s milk makes it the only one fit for the job. Kimberly compares the varieties of milk flavors to wine – each wine has a specific type of grape from a specific region, and the wine is affected greatly by the climate, soil, and other factors. Milk works much in the same way.

With over 72 unique chocolates in rotation throughout the year, availability is determined by factors including the season and which cows are milking at that time. The “Zesty Lime and Licorice” chocolate is made with the milk of only one cow – and her name is Queen. Both the cream and butter in this beautifully crafted chocolate comes from Queen, a Holstein dairy cow. No other cow’s milk is used for this particular chocolate, so when Queen takes a break, there is a chance these treats will, as well.

Each cow’s milk takes the individual chocolates down a different path. Then there are chocolates like the “Mr. Ives’s Mints” that use a unique approach to flavor – in this case, real, honest-to-goodness mint leaves. When you take a bite, you are not hit with a wall of synthetic peppermint burn. Instead, the subtle and natural flavor of fresh mint leaves from the Thorncrest Farms garden melds with the natural flavors of the milk and lingers, waiting to sneak up on you at the very end. Another, the Raspberry Cream White Chocolate, uses fresh raspberries from the very same garden. The process in which these flavors are infused to make the ganache center is a heavily guarded secret. And rightfully so.

In a similar herbal fashion, the “Dark Chocolate Lavender” chocolate turns a scent on its head and invites you to experience lavender in a way you may never have before. After you enjoy this wonderful excuse for aromatherapy for yourself, you may be just as relaxed as the cows.

Stories and tradition are weaved throughout the chocolates. The “Dairyman’s Delight” and the “Pumpkin” chocolates were developed at the passionate request of Clint, who wanted chocolates that reflected his two favorite desserts throughout the years.

The community plays a huge role in the farm, as well. Throughout the year, Thorncrest Farm hosts a number of community events and classes on the property. During the summer and autumn months, they put on chocolate and wine pairing nights in the hayloft of the barn. They participate in the Goshen Open Farm Tour, this year on August 2 and 3, and the Friends of Goshen Agriculture Farm-to-Table Dinner, on August 23. Finally, the farm hosts regular cheese making classes for a variety of skill levels and cheese types.

Thorncrest Farm feels like a local secret you were lucky enough to stumble upon: you want to simultaneously shout about it from the rooftops and tuck it away for yourself only. The humane and, dare I say, luxurious care given to their animals is reflected directly in the quality of their milk and products. Kimberly’s chocolates rival the greatest chocolatiers of Europe, and the milk could not be fresher or more natural had you milked the cow yourself.

For more information on Thorncrest Farm and Milk House Chocolates, including upcoming events, cheese making classes, and store hours, click here 

Thorncrest Farm and Creamery
280 Town Hill Road
Goshen, Connecticut 06756
860-307-6244- Clint
860-309-2545 – Kimberly
tcfarmllc@optimum.net
www.thorncrestfarm.net
www.milkhousechocolates.net

One of the most enjoyable events in Litchfield County is ASAP’s Young Writers Celebration, where burgeoning authors and revered teachers are the stars of the night.

Given that a large part of the population in the Northwest Corner is made up of writers, directors, designers, producers, artists, musicians, dancers, and actors, it seems fitting that this community would create and support a glitzy  annual event centered around fostering the next generation of writers. The Annual Young Writers Celebration is all about the kids, but over the years it has become a much-loved, legendary affair in Litchfield County. Any excuse to get together with friends under a sailcloth tent in a historic town green for cocktails and good food is a good one, but when you add to it that you are helping to bring the benefits of an arts education to hundreds of children, it’s a win-win situation.

The After School Arts Program (ASAP) was founded in 1999 with 8 after-school workshops for about 24 children in Region 12. Its mission was—and still is— to provide opportunities for children to create, collaborate, and express themselves through exposure to and participation in the arts under the guidance of arts professionals. Fifteen years later, ASAP now provides hundreds of artistic and cultural experiences to thousands of participants from over 80 towns. With workshops in the literary, performing, visual, and culinary arts, the programs are designed to teach particular skills, nurture creativity, encourage group collaboration, and give kids a chance to explore new and sometimes life-changing experiences in the arts. Because the residents of the many communities of Litchfield County appreciate the importance of the arts, they have continued to offer amazing support to ASAP with fundraising, teaching, and volunteering.

Nine years ago, ASAP launched the first Young Writers Celebration to pay tribute to gifted young writers from Region 12. Inviting distinguished local celebrities from the worlds of literature and entertainment to read the students’ work was a great idea. It added a touch of glamour and brought live entertainment to the event. That evening included well-known folks such as Frank McCourt, Denis Leary, Peter Gallagher, Rose Styron, and A.R. Gurney reading selections from works by the honored students. Since then, over the years, the guest readers have included Susan Saint James, Jerry Adler; Fran Brill Kelly; Candace Bushnell; Frank Delaney; Jack Gilpin and Dani Shapiro, to name a few.

These days, the programs reach a wider group of kids, beyond Region 12. Asap invites all students from many Connecticut counties in public and private schools, as well as home schoolers, to submit written works for the competition.

This year’s evening began with a cocktail reception under a tent on the Washington Green. While hors d’oeuvres were being served, attendees walked about perusing the many items available for the silent auction. With over 400 people at the event this year, the tent was filled—even with rain, thunder, and lightening, they  still showed up. Next, the guests crossed the lawn to the First Congregational Church, where the readings of poetry and prose were held.

Before the show began, the live auction items were bid upon. These included an adventure vacation to Belize at the Gaia resort, a pig roast barbecue for 40 and dining out for a year. Senator Richard Blumenthal attended the event this year, and contributed to the live auction by offering a breakfast visit and tour of the United States Senate.

Host Frank Delaney was great with the young writers, posing questions about themselves and their work, eliciting entertaining banter. This year’s young writers were Oliver Young, Isabelle Poskas, Hunter Kolpak, Kayleigh McKay, Mary-Genevieve Moisan, Riley Norris, Augie Delves Broughton, Lucy Patterson, Veronique Kinser, Joscelyn Norris, Olivia Pesce, Hannah Hudson and Samantha Stone. Congratulations to all of these talented students.

The guest readers were Frank Delaney, Paul Doherty, Jack Gilpin, Fran Keilty, Fran Brill Kelly, Carolyn Klemm, Ellen McCourt, Diane Meier, Adriana Mnuchin, Sheila Nevins, and Alan Shayne.

After the readings, there was a presentation for the Frank McCourt Prize for Excellence in Teaching, a special recognition of teachers. This prize honors the spirit of Frank McCourt, who was a teacher in New York City for thirty years before his success with his Pulitzer Prize-winning memoir, Angela’s Ashes. McCourt was a resident of Roxbury and he gave generously of his time, talents, and energy to ASAP and other local causes. Along with his wife, Ellen McCourt, he was one of the original founders of the Young Writers project. The goal of the McCourt Prize is to recognize teachers whose imaginative assignments and techniques have inspired students to become enthusisastic learners. Anthony Weymouth from Washington Primary School and Marla Truini from Westover School were the honored teachers for 2014.

There are so many fundraisers, galas, performances, and openings to choose from in Litchfield County, and the Annual Celebration of Young Writers is at the top of everyone’s list. With a community that has such a deep commitment to nurturing the arts, this area will continue to flourish and appeal to creative individuals for years to come.

We’ll see you at next year’s celebration.

ASAP, P.O. Box 15, Washington Depot, CT 06794
860-868-0740
ASAP@AfterSchoolArtsProgram.org
afterschoolartsprogram.org

On June 14, renowned interior designers, architects, stylists, and writers will gather at the Mayflower Grace for a series of discussion panels highlighting inspiring aspects of design. BY sarah parker young

What fascinates us about interior design? For the professionals and enthusiasts alike, it is the joy in discovering the palettes, textures, art, antiques, and objects that makes our houses, homes. Many talented interior designers reside or have weekend retreats in our region’s historic towns, set in pastoral countryside or by pristine lakes. The beautiful surroundings are the perfect backdrop for our favorite design sources such as Privet House, Pergola, J. Seitz, Huntington & Hope, George Champion Modern Shop, and R.T. Facts—where rare and exquisite items attract the design cognoscenti from Boston, New York, and Europe.

On Saturday, June 14th, a select group of design professionals will take part in a Day of Design, a series of discussion panels at the Mayflower Grace. This is the first time that such an illustrious group has come together to share their inspirations, point of view, and design aesthetic. There will be a lunch provided by the new restaurant Muse by Jonathan Cartwright, as well as refreshments and a VIP Meet the Designers cocktail party.

The day is presented by John Richard, a Mississippi-based company that recently opened a showroom in the New York Design Center. Asked to describe a theme that influences their collections, Alan Galbraith, President of John Richard responded, ‘our collections are inspired by discovery, by the world around us… the richness found in exotic cities, architecture off the beaten path, bistros, or even the color of a blouse worn on a city bus.”

The first morning panel, Global Finds: Searching the World for the Unique and the Unusual. will bring together Richard Lambertson and Suzanne Cassano of Privet House with David Whitman and Peter Stiglin of Pergola to discuss shopping excursions to Morocco, France, India and Japan. The second morning talk covers Tabletop: Inspirations for Summer, a subject that melds aspects of design with the art of entertaining. The three panelists have rich backgrounds. Stacy Kunstel is a designer, stylist and a writer for national magazines. She also founded the design company Dunes and Duchess with her husband, photographer Michael Partenio. Amy Beth Cupp Dragoo of ABCD Design is an artist, designer and stylist who splits her time between New York and Litchfield County. These two ladies will be joined by interior designer Ron Norsworthy who has worked with many cultural icons and celebrities including Tyra Banks, Mariah Carey and Madonna.

After lunch, the afternoon will have a riveting agenda. First up is Art, Fine Art Photography and Wall Decoration in Interior Design. Dynamic interior designers Philip Gorrivan and Florence de Dampierre will be joined by KMR Arts gallery owner Kathryn McCarver Root. KMR Arts has become quite a cultural force in the county especially after a groundbreaking exhibition of Diane Arbus photographs just last year. Following this panel is a discussion of Architecture’s Influence on Interior Design with internationally renowned Robert Couturier who is included in Architectural Digest’s prestigious annual list of the best decorators and architects in the world. Joining him on the panel are Robert Passal, a NY and Miami based architect and designer and Brussels born architect Harold Tittmann, who has designed some exquisite residences in the county. Harold was enthusiastic when confirming his participation, “I am delighted to join other design professionals for the Day of Design at the “new” Mayflower! I very much look forward to sharing thoughts about the influence of architecture on interior design.”

The moderators for the panels are two of the most preeminent style setters and design mavens in the industry. Susanna Salk, a Litchfield County resident is a prolific author of highly regarded design books including  Room for Children, Weekend Retreats, C.Z. Guest: American Style Icon,  Be Your Own Decorator (all Rizzoli) and A Privileged Life: Celebrating Wasp Style (Assouline). Salk contributes to 1stdibs.com as well as producing decorating segments for NBC’s Today Show. Stacey Bewkes, founder and writer of Quintessence, has a mantra to ‘Experience, inspire, inform – it’s all about living well with style and substance.’ After 17 years as an art director in New York City, she left the corporate world for Connecticut. She adds, “It is a continuing love of design that led to the creation of this lifestyle blog, a discerning online guide to those special discoveries that make life just that much better.”

The Mayflower Grace in Washington is ideally suited for this gathering of the interior design community. When asked about the event, the first of its type in the area, general manager Ian Grant said, “We are thrilled to host a Day of Design. This will be a wonderful opportunity to celebrate the local design community, and all of the talent that resides in the area.”

The cost for the day is $170 which includes entry to both morning and afternoon panels, refreshments, lunch, and a VIP cocktail party. The event begins at 9:30 and ends at 6:00 pm. The morning panels are at 10 am and 11 am, followed by Lunch, and the afternoon panels at 2 and 3 pm. The VIP cocktail party is at 4:30. Reservations are required and can be booked by calling The Mayflower Grace at 860-868-9466.

Laura and Mickey Morris run a summertime haven for young artists where discovering and pursuing creative passions is all about freedom of choice. See why Buck’s Rock is “like no other summer arts sleepaway camp.”
BY GENEVIEVE GEARITY

Live music. Dancing. Blow torches. Fencing. Goats?
Wait, is Motley Crüe making a comeback? Sorry to disappoint… but this one’s for the kids.

Tucked away on 125 acres of seemingly endless, lush forest right off Route 202 in New Milford is Buck’s Rock Camp – a Montessori-inspired performing and creative arts summer camp for kids ages 9-16, and the stuff of which your wildest childhood dreams are made.

Think of the coolest thing you would do if you were a kid again, then find the nearest gang of teens and have them make your idea cooler. That’s Buck’s Rock Camp.

A thousand and one opportunities await campers here – the most niche options in music, theatre, fine arts, humanities, alternative sports, and even husbandry – and all under the dedicated leadership of owners/camp directors Laura and Mickey Morris.

Mickey holds a master’s degree in child psychology and education, with a strong business background, to boot. Laura grew up at Buck’s Rock, first as a camper, then as a counselor-in-training (CIT), and counselor. She brings her intimate, lifelong experience to shaping the direction of the camp. Laura tends to take on more of a surrogate parent role for campers and Mickey is more of a staff director, but otherwise, they share all responsibilities, including marketing and management.

Founded in 1942 by Ernst and Ilse Bulova, Buck’s Rock broke the mold of traditional summer camps of the time, rejecting conventional regimented structures and choosing to follow the teachings of the Bulovas’ mentor in England, Maria Montessori. “Based on Montessori principles, campers are free to choose from all the activities, going where they want, when they want, on a daily basis” says Laura. “Without the pressure of having to choose or commit to activities in advance, we find that campers feel safe to explore and discover new mediums that interest them.”

In 1974 the camp was purchased from the Bulovas, by a group of counselors, one of whom was Laura’s father. Mickey and Laura then purchased Buck’s Rock from that partnership in 1996 and have been the sole owners and directors since. And Buck’s Rock continues to be a family affair: Mickey and Laura’s decision to take over the camp in 1996 was largely motivated by the desire to preserve the experience for their own 3 children and for the children of other alumni.

When the camp first opened, farm work was an integral part of the daily routine, partly in response to WWII manpower shortages. After the war ended, Buck’s Rock was able to focus its energy on its artistic endeavors, allowing it to flourish into the institution it is today. And alumni response to the camp speaks to its lifelong benefits. In 2001, alumni spanning almost 60 years of the camp’s history came together following the death of Ernst Bulova to found Friends of Buck’s Rock, a nonprofit organization that sends underprivileged children to the camp on scholarship. Mickey and Laura point out, “We are committed to having a diverse camper population and to assisting deserving campers to experience Buck’s Rock. We are proud to annually assist over 40 families each summer.”

So what exactly is offered at Buck’s Rock Camp? How much time do you have? Let’s start with music: campers can enjoy “Guitar Snack” and start their own band; make fantasy a reality in Studio 59, a real, state-of-the-art recording studio; join an orchestra; play in a jazz ensemble; host their own radio show; or sing their hearts out a cappella. “They are asked to be productive, but what they choose is completely up to them. With so many wonderful choices ranging from theater to glassblowing, music and dance to metalsmithing and weaving, campers can only make good choices. As they commit and engage themselves, they gain self-confidence and skills that are beneficial for a lifetime,” Mickey and Laura explain.

Performance? Take your pick: theatre, acting, dance, video, costume and set design, puppetry, improv, standup comedy, and circus arts are all at campers’ fingertips. The traditional arts are covered, too: photography, painting/drawing, papermaking, publishing, ceramics, glassblowing, woodshop, sculpture, metalsmithing… pausing to take a deep breath… printmaking and silkscreen, sewing, batik, leather work, weaving, flamework (yes, you read that correctly), as well as computer and culinary arts.

Sports are a part of this well-rounded community, but in a non-competitive environment. In addition to your traditional American summer camp pastimes like softball, basketball and tennis, campers can participate in activities such as martial arts, archery, and fencing.

Animal care, perhaps the offering most rooted in the camp’s history, is a session-long commitment to the health and happiness of a camper’s “adopted” farm animal. Goats, guinea fowl, rabbits and more receive full-time attention and live at Buck’s Rock year-round.

Every day at Buck’s Rock begins at 7:30 a.m. and ends at 10:15 p.m. Campers can explore their interests from more than 30 programs located in various buildings around the campus, including  the professionally-equipped studios, the performance theater, the state-of-the-art recording facilities, and an Olympic-size pool. It is a great opportunity for self-discovery and creative expression, whether in a collaborative project or as a solo stint. With a camper-to-counselor ratio of 2 to 1, support and guidance are close at hand. “We hire instructors who are teachers, artists and professionals in their fields, with a vital guidance team of counselors who are separate from the instructors and act as surrogate parents, helping to guide our campers through a summer of exploration and discovery in a wonderfully supportive and noncompetitive environment.” And there are plenty of opportunities for the campers to share their talents and gain the experience of performing for a crowd. Each evening there is an event such as a theater performance, dance recital, movies on the lawn, stand-up comedy nights, dance parties, music concerts, and more.

Buck’s Rock attracts teens who are creative and artistic rather than sporty. “In addition to being interested in the arts, whether performing or visual, our campers are self-motivated and bright, curious learners. They are individualistic, open-minded and tolerant of each other, all values that we foster in our community,” Laura adds.

Buck’s Rockers are a tight-knit community and remain in touch over generations. Even with teens coming from all parts of the world to attend the camp, lifetime friendships are formed. Sam Blitt, a 17-year-old local Washington resident who attended the camp for four summers said, “I recently traveled to London, and I spent time with 4 fellow campers—3 from the UK and 1 from New Jersey. We all stay in touch. We have a common bond.” The memories and experiences that campers share together remain with them their whole lives, as another former camper, 17-year-old Abraham Silver will attest, “Buck’s Rock has been a home to me since the first summer I spent there. The community of artists and the creative air about this place is what makes Buck’s Rock one of my favorite places in the world.”

Many Buck’s Rock alum have gone on to do amazing things in their lives and they range from well-known jewelry designers, musicians, Oscar-nominated costume designers, actors, comedians, writers, journalists, to artists. Here’s a sampling: Ezra Koenig, singer/guitarist in indie-rock band Vampire Weekend; Erica Jong, author; Dan Shor, actor; Rebecca Drysdale, comedian; David Miner, Emmy-winning producer of 30 Rock; Danny Glicker, Academy-award nominated Costume Designer; Charles Alterman, Broadway conductor and music director; Jesse Blumberg, classical singer; Sadie Dupuis, guitarist and singer in rock band Speedy Ortiz; Janet Margolin, actress: David and Lisa, Annie Hall; Henry Sapoznik, Klezmer music authority, four time Grammy nominated performer/producer Happy Traum, folk musician of 1960–2000, session guitarist for Bob Dylan; Roy Book Binder, blues guitarist; and actor Ezra Miller.

The camp has hosted a number of prominent folk performances, including ones by Simon & Garfunkel, Pete Seeger, Reverend Gary Davis and Dar Williams. Canadian teen sensation Pamela LaJoie performed as a camper in 2008. Lectures and workshops given by prominent artists have been a staple of the camp since its inception, with visits ranging from Leni Riefenstahl to Maury Yeston. In more recent times, the camp has hosted alumni parent Kevin Bacon’s band The Bacon Brothers. The camp has also hosted Canadian staff band Hunter Valentine.

Hearing from parents, campers, and alumni, Laura and Mickey are told over and over again how much Buck’s Rock has shaped who they are and how it has influenced their lives, so much so that alumni send their children to Buck’s Rock. “We are extremely honored and proud to have second and third generation campers.” Hence their motto: “Once a Buck’s Rocker, always a Buck’s Rocker.”

Mickey and Laura reassure us that the camp is here to stay. “We hope Buck’s Rock continues to thrive for generations to come, continuing to provide teens with a unique opportunity to explore the arts in a freedom-of-choice environment.”

As the source of recurring excitement in campers, the envy of parents, and the life passion of two dedicated directors, Buck’s Rock ensures summers once filled with boredom and leaky sprinklers will never be the same again.

And if anyone can tell me what on earth a Fleen is, I’ll take two.

The Bruzzi Family is launching a modern country gardening center in Northville that promises to become a regular hangout for local families and friends.

With 17 years of experience operating Bruzzi Lawn & Landscape, LLC, Chris Bruzzi has decided to expand the family business by opening The Green Spot. His vision for the gardening center is two-fold: to offer only organic products and services and to create a communal environment where folks can drop by, get plants and supplies, see the displays and designs, learn, do an activity, and eat.

The Green Spot is situated on a beautiful stretch of land along the river, across from the Northville Fire House on Route 202. From design services to building and growing, every project and product will be environmentally-safe. All-natural alternatives for pest sprays and tick sprays, and other products—even bio-degradable gloves—will be for sale and their experienced staff will be able to provide helpful advice to customers. An onsite landscape architect will be available for consultations as well.

There is a top-of-the-line Vail Atrium greenhouse which uses the innovative Atrium vent system for cost-effective natural ventilation. It has shade cloth sliding doors to conserve energy and runs on radiant heat in the colder months. The daily operation of the business has been carefully planned and the owners are very mindful when it comes to the environment. A bio filter will collect the over-surge from the nearby river and will be reused.

Education is a big part of The Green Spot and in the works are guest lecturers, horticultural classes, book signings, and workshops. The barn has potting tables and workstations, should you be interested in bringing your container (or buying one there) and potting a plant. Or maybe you’d like to take an instructional class on creating a terrarium. Kids can buy a special box of potting things, empty it on the work table, flip it over, and use it to stand on while potting their own plant. It’s a great place to throw a kids’ birthday party. From a weather station to an outdoor kitchen, a berry patch, a children’s garden, nut groves and a CSA for flowers, it is a complete garden paradise. You won’t want to leave.

In addition to the typical nursery items such as plants, trees, shrubs, soil, stones, containers, and tools, the center will also carry cut flowers, edible flowers, vegetables, air plants, a large selection of cactus plants, vertical gardens, apples, lavender, herbs, spices, and medicinal plants.

With an eye on reusing and recycling, creative consultant Randy Sabin has chosen old barn wood and repurposed materials to create a country modern look to the interiors of the buildings. With years of experience dealing in antiques and vintage goods, Randy brings an eclectic mix of items to the shop. There will be a section in the retail building specializing in antique and vintage gardening items, from milk glass containers to wrought-iron outdoor furniture. Upstairs in the library is a great collection of vintage gardening books. While you are browsing the shelves, you can stop by the refreshment area and pour yourself a capuccino, tea, or an organic drink. Natural foods will be available and the pizza oven (also for sale) will be turning out some hot slices. Pizza night will be a regular weekly event, as well as other family-oriented activities.

If you’re throwing a party or a wedding, there’s plant rentals and floral arrangement services. For those of you going on a trip this summer, plant sitting will be available at The Green Spot, so you can have your plants taken care of while you’re away.

Outdoor lighting and furniture, unusual containers—even bio-degradable car liners are for sale, so as you drive away with all  your goods, the inside of your car is protected. The Bruzzi family has thought of everything so you don’t have to go anywhere else for your gardening fix.

The Green Spot will be opening in early June. Check their website  for more information.

The Green Spot
354 Litchfield Road
Northville, New Milford
860.799.5102
thegreenspotNewMilford.com

There’s a new place to shop in Washington Depot that offers cool, casual, and deliciously fresh clothing and shoes. Meet the owner Alisa La Liberte, as she opens up for business.

Situated between the Hickory Stick Book Shop and Huntington & Hope is the latest business to open in the Depot, Liberty Lemonade. Just like the store’s name, the new digs are fresh and inviting. Lemony-yellow accent pillows in the shape of lemon slices, cream-colored wood flooring, yellow walls, a bright yellow tufted ottoman, all in a spare, stylish, and welcoming space. And of course, fresh lemonade and cookies. The sign on the wall behind the counter explains the citrusy theme: When life gives you lemons, go make lemonade… then go shopping.

Born and raised in Massachusetts, Alisa La Liberte spent two decades on the west coast, primarily in San Francisco and Silicon Valley. “I decided to return to New England after a divorce. My son wanted to attend a junior prep school with a hockey program. A whirlwind tour of New England junior preps in 2013 landed us at Rumsey Hall School. This was my son’s top choice.”

A newcomer to retail, Alisa actually has an MS in nursing and at one point was a cardiovascular clinical nurse specialist. In 2004, she become a full-time mom, ardent volunteer and fundraising guru. She helped raise over a million dollars for various non-profits and schools. “I believe there is some cross-over from auction events to retail in the nuances of marketing and selling.” After a ten-year gap in nursing it was really hard to contemplate going back. Alisa decided to try something new. “I desired the American Dream: owning my own business. I arrived in Washington Depot knowing that I would start my own business.” She assessed the community’s needs, learned that good shoe shopping is nearly an hour a way, and decided on a shoe store. “I believe you need to try on shoes before purchasing, and the same goes for clothes. I find online shopping frustrating, and I was banking on enough people living in that camp with me. Music to my ears came from a mom just last week who said, ‘I am so tired of having to order everything online.’ ”

Her idea for a family shoe store soon expanded to clothing and accessories. As she discussed the idea with locals, most would add, “Shoes are much in need, but please do clothing—especially for kids.” The merchandise is an eclectic mix reflective of her own personal style—east meets west, if you will. At this point, she is still getting to know the clients wants and desires, while trying to balance the practical side of owning a small store. “I need to limit the number of vendors I interact with (for my own sanity) and be careful not to over-buy. For example,  I have had requests for Vans and Converse, which along with Keds fall into the casual, non-athletic sneaker. I carry Keds, which is making a great comeback with Taylor Swift as its fresh young face.”

So, who are Liberty Lemonade’s customers? “I see the entire community as my customer—locals, weekenders, families, teenagers, prep school students—young and old. I really hope to eventually have a little bit of something for everyone. We keep emphasizing that we are only 60% stocked, with new arrivals weekly, and this is true.” Alisa just placed her first order for kids’ clothes and she went more preppy than anything else. She believes this makes sense given the number of prep schools in the area, as well as golfers and weekenders with kids who may attend private schools in the city. “I would love to become the go-to place for back-to-school clothes and shoes. I have an idea brewing for blue blazers that I may reveal this summer if all the pieces fall in place. I am really cognizant of the need in the community for different price points and I diligently aim to have at least three with most products.”

Already thinking ahead, Alisa says there is the possibility that she will outgrow the space that she is currently in. “If I am successful with kids’ clothing and especially in dressing the prep school student, I will likely open a second shop for kids clothing, and keep Liberty Lemonade as adult shoes and clothing.”

If the reception from the community is any indication for the new shop’s success, there is reason to be optimistic about Liberty Lemonade’s future. Alisa was touched by the cards of congratulations and delivery of flowers from her neighbors. “I can’t imagine that I would have been received with such open arms anywhere else on the face of the planet. The response I have received is reflective of this community’s support of local businesses, as well as hitting the nail on the head in bringing merchandise the community needs—shoes!”

Speaking of shoes, some of the collections that the shop carries are: AquaItalia, Wolky, Anyi Lu, Michael Toschi, Keds, and Sperry. And in terms of clothing, so far: Trina Turk, MiH jeans, DL 1961, and Christopher Blue. Alisa has new brands coming in weekly and is still adding more, so keep checking in—and have some lemonade.

Exploring botanical forms as well as nature’s patterns and geometry is the driving force in Kezia Hearn’s work. This local artist’s love of art and nature comes through in a powerful way.

Litchfield County boasts a rich and diverse artistic culture, thanks to the many transplanted New Yorkers whom we now call “our own”, but you can’t get any more “local” than contemporary artist Kezia Hearn, for she is no stranger to this land of rolling hills and bucolic pastures. Hearn not only grew up here, she took art classes at the Washington Art Association as a young child, and has been involved in the community most of her life. She was raised in Washington, Connecticut, where her parents owned and ran the Morning Glory Flower Shop which was started by her great grandfather who emigrated from England. “I grew up surrounded by plants and flowers in the greenhouses, so I developed a knowledge and affinity for botanical life at an early age.” She earned her undergraduate degree in Studio Art from Clark University, and attended the School of the Museum of Fine Arts in Boston. As part of her undergraduate studies, she spent a semester studying art in the Provence region of France. A few years ago she also received her Master’s degree in Holistic Thinking.

As a young child, Kezia showed an interest in art. “From the earliest I can remember, I enjoyed drawing and painting. It seemed to just come naturally to me.” When she was in first grade, her teacher had a talk with her mother about a drawing Kezia had done. “It was of a person lying in a bed…she pointed out to my mom that I’d rendered the shape of the feet popping up under the blanket and that this was sophisticated for my age. My mom subsequently encouraged me to draw more, buying me sketchbooks and enrolling me in children’s art classes at the Washington Art Association. I continued to draw on my own at home, often setting up still-lifes involving flowers and other objects. My parents provided a very creative and imaginative atmosphere to grow up in and kept encouraging my artistic development throughout high school and into my college years.”

The artistic vein runs in her family. There were—and still are— many relatives who are artists and artisans. “My grandmother Muriel was a weaver. She would spin her own yarn from the sheep on my grandparents’ farm in Vermont. My uncle Ricky Hearn is a painter. My aunt Linda Banks is also a local artist, working in glass. Floral artistry also runs through multiple generations.”

Looking at Kezia’s incredibly beautiful paintings, there seems to be a simplicity and spareness that evokes an Asian aesthetic. When asked about it, she explains, “My work is influenced by my interest in Eastern thinking and philosophy as well as my love of nature and plants. I find inspiration in the elegant simplicity of Japanese woodblock prints. Some of my paintings reflect this aesthetic, but there are often subtle layers of detailed pattern and form emerging from the background. I like to think each painting is capturing the simplicity and complexity in each moment. I can render what is seen with the eye, as well what might be taking place on a microscopic level, a cosmic level, and energetically. I also like to make connections with larger cycles and time. This is referenced in the repeating circular forms in my work, as well as in the titles.”

The central theme in Hearn’s pieces is the natural world. “I am inspired by the celestial and the botanical…the endless multiplicity of nature’s designs. My body of work is very diverse—it doesn’t fit a typical category. It can range from abstract paintings of patterns, to watercolor inspired by microscopic life forms, to oil paintings of plant life…and more recently to installation art.” In her studio one finds many three-dimensional pieces, here and there, on her work table, and attached to some of her panels. These look like sculpture made of different materials. “Some of the ceramic work I’ve created recently is sculpture. However, most of it is installation. I’ve been working in cut mica and clay. I’m translating the concepts I was working with on paper and canvas into the third dimension. One larger ceramic piece I’m developing is made up of many coiled clay cones—mounted on the wall together they start to resemble some sort of coral or hive…patterns start to emerge from the relationship of each piece to the next.”

Mica is not a material one associates with creating art, yet Kezia has also been exploring the fragile reflective quality of mica through other installation work. “These pieces involve cutting the mica into round discs and drawing/painting on both sides of the mica. I then use pins to mount the pieces to the wall in a sort of cluster or pattern. The imagery is more cellular and mandala-like but the effect is very ethereal. I am exploring the concept of interconnectedness, not only of each object but of light and shadow. Lighting has become an essential element in these works because the shadow is what brings them to life—yin and yang.”

Hearn’s special connection with nature is not surprising given her childhood experiences— indeed, she is also a professional gardener. She designs and installs perennial gardens, and maintains them as well. She also occasionally does floral design. “I find this work to be very similar to my art making. Creating a garden is like making a living painting that grows and changes with time, as we do. In addition, a garden provides food and habitat for many creatures. I enjoy collaborating with nature…a great teacher. I find it keeps me connected to the earth…something that has become a challenge in our technological age. “Because of my upbringing with plants and my many years of gardening, I have developed a very close relationship with plants. Through my art, I am honoring their presence in my life—all of the beauty, medicine, food, and fragrance they provide. I enjoy exploring both botanical forms and the underlying patterns and geometry that occur in nature on a micro and macrocosmic level. Studying plants and flowers from my garden under a microscope is a hobby that has inspired the imagery in my work.”

Although Kezia’s art has changed over the years, it has mainly revolved around botanical forms and pattern since art school. She did some figurative work in the past, but it didn’t inspire her at the time. By looking at Hearn’s work, one soon realizes that circles appear prominently in her compositions. “My work seems to continue to change and evolve as I do. Circular forms are a thread that runs through all of my work.”

A few years ago, Hearn obtained a Masters degree in holistic thinking. Asked how this has influenced her work, she replies, “My studies in holistic thinking increased my awareness of the interconnectedness of life on the level of quantum physics. We are always in relationship. In my work I have been interested in exploring this concept of interconnectedness and I’m doing that with the recent installations I’ve been creating…where many parts relate to create a larger colony or network…similar to a coral reef. The “Bento series” of work I created was inspired by the study and use of Feng Shui principles in my life. I’ve also been working with mandalas as a form of meditation and healing.”

In addition to her endeavours in gardening, holistic thinking, and making art, Kezia also teaches art to children. “It is my way of giving back and hopefully inspiring a love of art in the lives of the future generation. I find that children are a pleasure to work with because they are still very connected to their own creative spirit and the simple joys of life.” She also teaches yoga to children. A few years ago she started integrating mindfulness practices into her art classroom. “I begin my classes in a quiet circle, then I play a Tibetan singing bowl. I usually guide the class in a meditation (aka. “imaginary journey”) and some simple breathing exercises. It has worked wonders in helping to calm and focus the students’ attention during art class. It also helps students to actively engage and nurture their imagination…something we need more of in order to solve the problems of this world.”

These days, Kezia Hearn is not represented by a gallery and her work is mainly collected by private individuals. She also has worked by commission for several designers in New York and Connecticut. From April 12-May 23, Hearn will have her latest work, a series of wall mounted ceramics installations, in a group show called Your Spirit Don’t Leave Knowing at the Studio Switch Factory in Bantam, an artist’s studio and gallery run by Jessica Jane Perkel. This show is not to be missed. See the listing for this event in our GOINGS ON section this month.

To see more of Kezia Hearn’s work, go to her website: www.keziahearn.com
To purchase her work or to contact Kezia Hearn, email her at: keziahearn@gmail.com

A student from South Kent School has just won first prize in one of the world’s most prestigious music competitions. Taek Gi Lee says he just likes the feeling when he’s playing piano.

Last month, 100 contestants from 30 different nationalities converged in London to compete in the 10th Annual Hastings International Piano Concerto Competition. Out of the 44 young pianists who were chosen, one of them was Taek Gi Lee, a student at South Kent School, and a resident of Litchfield County. He became 1 of only 7 to advance to the semi-finals. MaryAnn Haverstock, a math teacher at South Kent School, and the Director of Sustainability at the Center for Innovation went with Taek Gi to London. For the second round of the competition, Taek Gi played a solo recital of Bach and Liszt. From there, he was selected by the judges as 1 of 3 pianists to play a full concerto with the Royal Philharmonic Concert Orchestra. In the final round, he chose to play  Rachmaninov’s piano Concerto No. 3. His performance was so amazing that he received the prestigious first prize, winning the Hastings International Piano Concerto Trophy, a £5,000 10th-Anniversary Prize, and a concert with the Royal Philharmonic Orchestra.

Taek Gi Lee began playing piano at the age of 6 in Seoul, Korea, where he was born. No one else in his family was a musician. The only reason he started playing piano was that he really loved the feeling. “I just liked it,” he said. “Although I have heard that my mother enjoyed listening to classical music while she was pregnant with me.”

A few years ago, Taek Gi Lee had moved to the United States with his mother and was attending Julliard on weekends. He had a very tough time at the public high school in New York, so he dropped out and practiced his music at home. Dr. Sarah Sung Lee, a concert pianist and music educator, an Artist in Residence at South Kent School, who lives in Kent, was introduced to Taek Gi at the Julliard School. She explains, “I tried hard to convince him how important it is to attend a regular high school and to gain knowledge of subjects, other than music, in order to grow as a great musician.” With Dr. Lee’s recommendation, the South Kent School offered Taek a full scholarship.

Taek Gi Lee, who is now 17, has been a student at South Kent School for one year, and is in the Classical Music Program there. He also takes classes at the prep division of the Juilliard School in New York. Dr. Sarah Sung Lee found a home for Taek Gi and his mother in a guest cottage owned by the Brodhead family in Warren. “I am sincerely thankful to my instructor Dr. Sarah Sung Lee, who found my potential and gave me the wonderful opportunity to be at this great school, and also to the Brodhead family who have supported  me in many ways.”

A few years ago, when he was listening to Professor Choong-Mo Kang at Juilliard, Taek Gi realized how beautiful the piano is. “It just made me cry because it was very stunning and impressive. From that moment on, I strongly decided to become a pianist. Now, I’m so lucky that I’m studying with him at the Juilliard pre-college division every Saturday.”

“I always try to practice for at least 5 hours per day. However, because I have a lot of homework from school, it’s quite difficult to find enough time for practice.” When he is not practicing, Taek Gi loves to watch movies. “Movies inspire me a lot! It’s also very beneficial to the music I play. I can experience many new things that I was not able to experience in real life. It’s very exciting for me.”

Asked what other interests he has, Taek Gi replies, “My hobby is to travel to different places and countries. The great thing is I have had a number of chances to travel to many different countries because of the piano! So, I’m very happy to live as a musician.”

Some of Taek Gi’s performances as a soloist have included:

• Kumho Prodigy Concert Performance (Seoul, Korea)
• Kumho Prodigy Trio Concert Performance (Seoul, Korea)
• The 26th Young Musicians Performance (Seoul, Korea)
• Winners’ concert of the 3rd International Franz Liszt Competition for Young Pianists 2011 (Weimar-Sondershausen-Bayreuth, Germany)
• Juilliard Pre-College Student Recital (New York, USA)

Performing at a high-level competition such as the Hastings International Piano Concerto Competition in London requires intense concentration and we wondered if Taek Gi experienced stage fright. “Let me tell you about my final performance with the Royal Philharmonic Orchestra at the competition. I was so nervous. Especially because the piece that I played is known as one of the most difficult concertos, which is Rachmaninoff’s 3rd Concerto. It’s crucially important to have a peaceful mind on the stage. Therefore, I just prayed to God every moment, also during the performance. That was not something that could be done by myself. Everything was possible because I believed that God was with me. After the performance, I heard lots of applause from the audience. It was one of the happiest moments of my life to see and listen to the amazing reaction from the audience. Also, it inspired me to perform a better concert next time! Playing in front of a number of people is very hard and makes me nervous most times, but when I successfully finish the performance, I always feel a very big sense of accomplishment. And I think that feeling motivates me to continue the musician’s journey.”

At South Kent School, Dr. Lee is Taek’s music instructor. “She helps with my piano studies. She is very passionate and a great music teacher. She always inspires me and shows me how to make a beautiful sound, and to play with soul.”

Did Dr. Lee expect her student to win the competition? “I believed that he would be a rising star sooner and later. However, my concern was that last year’s winner was also a Korean pianist.

Generally speaking, it would be hard to have a winner of the same nationality for two years in a row. But Taek Gi proved my worries to be wrong.” In order to prepare her student for the competition, Dr. Lee arranged school concerts several times so that he would have a chance to try out the pieces. She wanted him to practice concentration while communicating with the audience. Each time, they discussed the progress he made in a particular performance. “Because he had prepared for these repertoires a long time ago, I did not need to work with him in the details, but I helped him to be inspired with the music, not in a micro-detailed work way, but rather in keeping a big picture—how to create drama in music and how to express the climax of the music.”

The music program at South Kent School is relatively new. There are three different levels for music students. One is for gifted students who aspire to become professional musicians in the future. Another is for those who are doing music as an extra curricular activity. The last group is for students just beginning to exploring music. “I am happy and having a great time teaching at SKS,” says Dr. Lee. She believes that to become a great musician, a student must attain 3 important elements: 1. To be gifted and smart; 2. To be disciplined; and 3. To be motivated for higher achievements.  “Taek Gi has all three qualifications and is mature for his age,” she stated emphatically. “Our school motto is: A Hero’s Journey. With his accomplishment, Taek Gi made another excellent example of a student who is searching for a Hero’s path in music.”

South Kent School is located at 40 Bulls Bridge Road, in South Kent. For information, call 860.927.3539 or visit their web site:  www.southkentschool.org

“Is the spring coming?” he said. “What is it like?”…
“It is the sun shining on the rain and the rain falling on
the sunshine…”
-Frances Hodgson Burnett, The Secret Garden

Springtime brings a renewed passion for shopping, cleaning and primping the home and a search for those refreshing, restorative scents, lotions and potions for the body. We recently asked Privet House co-founder Suzanne Cassano to share her feelings about the season and to find out what her ‘Must Haves’ are for Spring.

The five things Suzanne loves about Spring:

• It always makes me feel like I should stop talking
  and start doing…..
• It forces me to take time to smell the air…
• It makes me want to take better care of myself…
• It gives me “permission” to buy new things…
• It makes me smile….

Suzanne’s Spring Cleaning ‘Must Haves’:

Murchison Hume collection of household and wardrobe cleaning products. Here’s the dirt: the company was founded by an adorably chic couple of Australian expats who are now based in Los Angeles. The eco-conscious products are scented with a hint of white Australian grapefruit or fig, presented in elegant amber-colored pump bottles with strikingly handsome labels (in other words, chic enough to leave on the counter).

Christophe Pourny all-natural tonics are like an anti-aging facial for furniture. They restore, nourish and energize leaving a fresh and radiant surface. Made in small batches in New York City by a highly regarded French furniture restorer.

Amish-made brooms that will sweep you off your feet. Ideal for the fireplace, barn, garage or stoop.

Suzanne’s ‘Must Have’ Scents and Skincare for Spring:

Santa Maria Novella Body Milk leaves the body toned, nourished and moisturized thanks to its hydrating vegetable oils, cocoa butter, white beeswax and avocado. Santa Maria Novella Vanilla Body Cream is a moisturizing body cream formulated with a plant base of rosemary, aloe, almond and natural vanilla extract. Santa Maria Novella Idrasol Body Cream, an ultra-hydrating cream formulated with carrot, rose and orange flower extracts.

Boxed set of Triomphe soaps from France. The fragrance was created for and dedicated to Napoleon Bonaparte and reflects the aromas of his native island, Corsica.

Cire Trudon’s Odalisque candle offers up the intoxicating smell of Moroccan orange blossom.

Suzanne’s Spring ‘Must Haves’ for the Home:

New French plates and bowls that are reminiscent of 18th century antique creamware. Made in France of fine Faience earthenware, this pattern is based on an earlier design, also with an elegant scallop form, that dates back to 1865…and yet, it all has a decidedly modern edge.

Bath pebble mats inspired by the river rocks found in the mountain creeks and streams of Japan, this cotton bath mat has a textured, 3-dimensional pebble design. The mat is the creation of a forward-thinking Japanese textile designer who collaborated with a local towel company. As might be expected from such as collaboration, the mat is sympathetic to its Japanese roots yet has a fresh and modern aesthetic. The neutral shades have a calming effect, while the textured surface promises your feet a gentle massage.

Upcycled cutting boards are designed and developed by a company committed to sustainable practices, the use of recyclable materials and local sourcing and production. Proudly made in the USA, the boards are ultra- thick and designed with gutsy leather carrying handles.

Privet House is located at 13 East Shore Road, New Preston CT 06777. You can pay a virtual visit to their newly expanded online shop at http://shop.privethousesupply.com/

Spring is the best time to see the majestic waterfalls of the Northwest Corner in all of their glory. Along with a few familiar falls, we highlight Sages Ravine and present a lovely piece of music that was inspired by its haunting beauty.

Living in the Litchfield Hills comes with an abundance of outdoor pleasures and a gratitude for all the land has to offer. Hidden among the hills are magnificent falling waters of great depth and beauty. We came across three people who captured this beauty, each in their own way.

Russell Dunn is a licensed hiking guide and author of numerous hiking, kayaking, and waterfall guide books. He writes of our waterfalls with eloquence, wisdom, and thoroughness. Christy Butler is a professional photographer who has spent a great deal of time photographing waterfalls. His images are beautifully composed and exquisitely capture the gushing waters suspended in time. Together, these two creative outdoorsmen produced a book called Connecticut Waterfalls, A Guide, a truly extraordinary accomplishment and definitely a book worth having. Rick Sowash is also a hiker—and a  biker, writer, author, and musical composer, who was inspired to create music for Sages Ravine while hiking the Appalachian Trail.

With this article, we have brought together a few excerpts and photographs from Russell and Christy’s book, along with a recording of Rick’s original music. We encourage you to pick up a copy of their book for a complete guide to all of the great waterfalls in our area and in the state. And we invite you to listen to the musical composition, here on our site, and then check out other works created by Rick Sowash. These three men have taken their passion and creativity to produce quality works for our enjoyment.

We start with Sages Ravine—the highlight of this article—and end with links to the music and the score.

Falls at Sages Ravine

Location: Joyceville, Sages Ravine
Estimated GPS: 42º03.00’N; 73º25.57’W
Views: Lateral and head-on
Aesthetics: Excellent
Characteristics: Scenic; wild; multiple cascades
Accessibility: First fall–0.3-mile hike; second fall—0.35-mile hike/scramble; third fall–0.4-mile hike/scramble
Degree of Difficulty: To first fall–Moderately difficult; to second fall—Difficult; to third fall–Very difficult
Description: Multiple waterfalls have formed in a spectacular gorge called Sages Ravine. Covering a distance of over 1.0 mile, Sages Ravine Brook drops nearly 700 feet through a tortuous, chiseled defile, plunging over a series of large waterfalls and hidden pools, all encased in a forest of hemlocks. It is a very primordial area.

The first waterfall, near the bottom of the ravine, is 10 feet high, and part of a grouping of several cascades.

The second fall is an 8-foot-high, multi-step fall that drops into a shallow pool.

The third waterfall, called Twin Falls, consists of a 35-foot-high cascade which drops into a pothole-formed pool, immediately followed by a 25-foot-high, diagonally-inclined cascade.

A number of smaller waterfalls are interspersed between the main ones as well as further upstream.

There are also cascades on Sages Ravine Brook downstream from the ravine. Directly below the Rte. 41 Bridge spanning Sage Ravine Brook is a 15-foot-high cascade where the ruins of an old mill or bridge abutment wall are evident along its north bank.
History: Sages Ravine is named after the Sage family who were heavily involved in the area during the nineteenth century. Simeon Sage founded the Sage Iron Company, and the area quickly became known as Sage’s Forge, only to change to Joyce’s Forge when it was purchased later by John D. Joyce.

The most prominent member of the Sage family was Zachias (also spelled Zaccheus) Sage, a Revolutionary War solider who is interred in the nearby Candee-Sage’s Cemetery.

Henry Ward Beecher was so impressed by the ravine, particularly Twin Falls, that he publicized the natural wonder in his “State Papers” during the 1850s.

Today Sages Ravine is safeguarded by the Salisbury Land Trust and The Nature Conservancy.
Directions: From Salisbury (junction of Rtes. 41 North & 44), drive north on Rte. 41 for 4.8 miles. Turn left into a small pull-off for 3–4 cars just before crossing over the bridge spanning Sages Ravine Brook and reaching the Massachusetts/Connecticut border.

From South Egremont in Massachusetts (junction of Rtes. 23 West & 41 South), drive south on Rte. 41 for 8.0 miles and turn right into a small pull-off after crossing over Sages Ravine Brook.

To Sages Ravine—From the parking area follow a path (initially an old road) west that parallels the south bank of Sages Ravine Brook. After nearly 0.3 mile of fairly level terrain you will come to the beginning of Sages Ravine. The first cascade is slightly upstream from this point and will require some scrambling to get to. You may notice one or two old blue-blaze markers—a carry-over from earlier days when a spur trail led from Rte. 41 up to the Appalachian National Scenic Trail before landslides and blowdown obliterated it.

In order to reach the second third falls, you must be prepared for considerable scrambling, moving up and down along the side of the ravine over blowdown, boulders, and loose rock. This part of the trek should not be attempted by anyone who is unsure of their agility and sure-footedness.

To roadside cascade—Walk to the east side of the Rte. 41 Bridge and look straight down over the top of a 15-foot-high cascade, directly below. You can also go to the northeast end of the bridge and walk into the woods for 30 feet to see a lateral view of the cascade. Obey a sign posted by the Nature Conservancy stating “Access to this area restricted. Ecological evaluation in progress,” and go no further.

Two small cascades, just upstream, can be seen from the west side of the bridge.
Additional Cascade: At one time 25-foot-high Mt. Riga Falls, west of Salisbury, was frequently visited by waterfallers. Readers already familiar with the fall should be advised that the area is now heavily posted, and no longer accessible to the public.

Aspetuck Falls

Location: New Preston
Estimated GPS: 41º40.52’N; 73º21.30’W
Views: Head-on
Aesthetics: Good
Accessibility: Roadside
Description: Aspetuck Falls, a.k.a. New Preston Falls, is a 20-foot-high waterfall formed on the East Aspetuck River—a medium size stream which rises from Lake Waramaug at an elevation of 694 feet, and joins with the West Aspetuck River south of Wellsville before flowing into the Housatonic River at New Milford.

Old foundations are visible along the east bank at the base of the fall, possibly the ruins of a stone sawmill once used for cutting slabs of rock for monuments.
History: At one time New Preston was a viable industrial center, using the power of the East Aspetuck River to run a tannery, forge, twine & cotton factory, a cider-brandy distillery, and carpentry shop. Originally the village was known as New Purchase, but an early settler named Edward Cogswell changed the name to New Preston in honor of his home-town village of Preston in east Connecticut.

Lake Waramaug is located directly north of New Preston, and is the state’s second largest natural body of water. The East Aspetuck River, rising from this lake, passes through Tinker Hill Gorge, a.k.a. Marks Hollow, where multiple dams intercept the river before it reaches New Preston and Aspetuck Falls. Lake Waramaug’s name comes from a Native American who was chief of the Wyantenock tribe.

Aspetuck is a Paugussett word for “height,”  “high places,” or “fish net place,” the former two presumably referring to the surrounding hillsides
Directions: From New Milford (junction of Rtes 202 & 67), drive northeast on Rt. 202 for approximately 7.5 miles to New Preston (junction of Rtes 45 & 202). Turn left onto Rt. 45 (East Shore Road) and drive north for less than 0.1 mile to a small parking area on your left. Excellent views of the waterfall, just a short distance upstream, can be obtained from a stone platform overlook.

Dean’s Ravine Falls

Location: North of West Cornwall, Deans Ravine; Mohawk Trail
Estimated GPS: 41º55.10’N; 73º20.56’W
Views: Head-on and lateral
Aesthetics: Excellent
Characteristics: Scenic; remote; large
Accessibility: 0.3-mile hike
Degree of Difficulty: Moderate
Information: Trail map available in Connecticut Walk Book: The Guide to the Blue-Blazed Hiking Trails of Western Connecticut. Nineteenth Edition, page 211.

Description: Dean’s Ravine Falls, a.k.a. Reed Brook Falls, is a 50-foot-high cascade located in Dean’s Ravine and formed on Reed Brook—a small stream that rises south of Yelping Hill in Cream Hollow, and flows into the Housatonic River west of Hough Mountain. Several smaller cascades can be seen before the main waterfall is encountered.
History: Dean’s Ravine is a deep trench formed on the west shoulder of Music Mountain. The ravine has also been spelled Dean Ravine and Deane’s Ravine, a name possibly attributable to John Dean, an early settler, or one of his six children.

At one time seven dams impounded Reed Brook. The stream is named after Hawley and Harry Reed, two brothers who bought a farm in the hollow at the foot of Bunker Hill.
Directions: From Falls Village (junction of Rtes. 7 & 126), drives south on Rte. 7 for 1.5 miles and turn left onto Lime Rock Station Road.

From West Cornwall (junction of Rtes. 7 & 128), go north on Rte. 7 for 6.4 miles (or 0.3 mile past the junction of Rtes. 112 & 7), and turn right onto Lime Rock Station Road.

Coming from either direction follow Lime Rock Road south, taking note that the road becomes River Road along the way. At 1.0 mile, turn left onto Music Mountain Road and drive uphill, heading southeast. When you come to the intersection of Music Mountain Road and Cream Hill Road at 0.8 mile, turn quickly left into a parking area.

Proceeding on foot, follow the blue-blazed Barrack Mountain Trail from the parking area, immediately turning left when you come to the ravine. The path, now paralleling the ravine, will quickly take you down to the level of Reed Brook where a small cascade is visible upstream. Continue your walk downstream.

At 0.1 mile the ravine narrows markedly, compressing the stream. Several small cascades can be seen here. Looking downstream you will observe the brink of the main waterfall where Dean’s Ravine opens up and drops dramatically 50 feet into a lower section of the gorge.

Continue following the blue-blazed trail as it passes by the top of the main waterfall to your right. Although the trail initially seems to lead away from the waterfall, it quickly switches back, and descends to the bottom of the ravine where excellent views of the waterfall can be obtained.

If you follow the blue-blazed trail further downstream it will eventually intersect Music Mountain Road at a point downhill from where you parked.

To see additional falls on Reed Brook, return to the parking area and follow the blue-blazed trail upstream for 0.05 mile. The trail emerges onto Music Mountain Road. Walk over to the small bridge which spans Reed Brook. To your right is an 8-foot-high cascade; to your left, downstream, is a smaller cascade.

Hatch Brook Falls

Location: Northwest of Cornwall Bridge, Housatonic Meadows State Park
Estimated GPS: 41º49.99’N; 73º23.00’W
Views: Lateral from top of bank; head-on from streambed
Aesthetics: Good
Characteristics: Remote; scenic; medium size
Accessibility: 0.2-mile hike
Degree of Difficulty: Moderate
Information: Housatonic Meadows State Park, 159 Macedonia Brook Road, Kent, Connecticut 06757; (860) 927-3238 or Toll Free (866) 287-2757; Email: dep.stateparks@po.state.ct.us

Trail map available at ct.gov/dep/cwp/view.asp?a=2716&q=325220, and in the Connecticut Walk Book: The Guide to the Blue-Blazed Hiking Trails of Western Connecticut. Nineteenth Edition, page 34.
Description: Hatch Brook Falls is a 30-foot-high cascade formed on Hatch Brook—a small stream which rises in the hills northwest of Cornwall Bridge, and flows into the Housatonic River just east of Rte. 7. The waterfall is contained in a small gorge whose north wall is sloped sufficiently to enable a hiker to scramble down to the bottom of the ravine for a closer look. Hatch Brook Falls is best visited in early spring or following heavy rainfall due to its limited watershed.

The brook and falls are likely named either for the abundance of mayflies and caddis which hatch here in the early spring—beneficiaries of the water’s idyllic ph level that results from the streambed’s underlying limestone deposits—or after Captain Ebenezer Hatch who came to Sharon from Kent in 1768, and whose name has been given to a nearby pond where a puddling works once melted down pig iron to rid it of slag.
History: Hatch Brook Falls is located in the Housatonic Meadows State Park.

Cornwall Bridge was earlier known as Deantown after Dr. Reuben Dean who built the town’s first mill, named Red Mill, around 1750.

Like West Cornwall, Cornwall Bridge became heavily involved in smelting iron during the nineteenth century. The cumulative effect of this industry on the environment, however, was devastating. Forests were reduced to fields of rotting stumps as trees in increasing numbers were harvested to produce charcoal—a concentrated form of energy which generated the intense heat that the forges required. Once the forests were gone, the days of charcoal production were numbered.
Directions: From Cornwall Bridge (junction of Rtes. 7 & 4 West), drive northwest on Rte. 7 for over 1.0 miles. Pull into a parking area on your left just before crossing over Hatch Brook. You will see a sign next to the road that states “Blue Pine Knob Trail Loop.”

Approaching from West Cornwall (junction of Rtes. 7 & 128) drive south on Rte. 7 for 3.1 miles and turn right into a parking area.

The short hike follows a trail frequently used by hikers who set out on the 2.5-mile-long Pine Knob loop.

From the side of the parking area follow the blue-blazed trail north for several hundred feet. Rock hop over Hatch Brook via several large stepping stones, and turn left at the top of the ravine. Follow the trail uphill for 0.2 mile, paralleling Hatch Brook, which stays to your left. When you come to several mammoth boulders deeply embedded in the earth, turn left, and make your way down the side of the ravine and over to the base of the fall. Since there is no formal path, a short 50–75-foot scramble will be necessary.

If you wish, lateral views of the cascade can be obtained from the top of the ravine, roughly a hundred feet further uphill past the boulders.

In another 0.1 mile the blue-blazed trail descends to nearly the same level as the streambed where a 20-foot-long waterslide can be seen. It is not tilted vertically enough, however, to qualify as a cascade.
Additional Cascade: Pine Swamp Brook Falls (41º51.98’N; 73º22.18’W) is a 25-foot-high, two-tier waterfall formed on Pine Swamp Brook—a small stream which rises from east of Mine Mountain, and flows into the Housatonic River southwest of West Cornwall.

From West Cornwall (junction of Rtes. 7 & 128 East) go south on Rte. 7 for 0.5 mile. From west of Cornwall Bridge (junction of Rtes. 7 & 4 West), drive north on Rte. 7 for 3.6 miles.

Approaching from either direction, look for the waterfall tucked away in a narrow slot in the rock-wall along the west side of the road. The waterfall can only be glimpsed fleetingly from roadside, however, unless you park in a pull-off 100 feet from the fall and walk back carefully, hugging the guardrail and watching out for cars.

Kent Falls

Location: Northeast of North Kent, Kent Falls State Park
Estimated GPS: 41º46.57’N; 73º25.16’WFee: Modest charge on weekends and holidays from May through October. Out-of-state residents are charged a slightly larger fee.
Views: Head-on and lateral
Aesthetics: Excellent
Characteristics: Large; scenic; historic
Accessibility: 0.2-mile walk up trail to upper-most fall
Degree of Difficulty: Moderately easy to moderate depending upon the height of your ascent
Information: Kent Falls State Park c/o Macedonia Brook State Park, 159 Macedonia Brook Road, Kent, CT 06757; (860) 927-3238; stateparks.com/kent_falls.html;ct.gov/dep/cwp/view.asp?A=2716&Q=325228. [Kent Falls State Park website].
Trail map available at ct.gov/dep/cwp/view.asp?a=2716&q=325228
Description: Kent Falls consist of a series of impressive cascades and drops formed on Kent Falls Brook, a.k.a. Falls Brook—a medium size stream which rises in the hills east of Wyantenock State Forest, and flows into the Housatonic River a short distance downstream from the falls. Numerous pools and potholes can be seen in addition to the falls. The stream, which drains an area of six to seven square miles, descends over 250 feet in less than 0.2 mile.

Approaching the base of Kent Falls, visitors can see four separate cascades, the first two being formed in Stockbridge marble. At the base of the lowest fall is a shallow wading pool.

Additional cascades are encountered as you hike further upstream, culminating near the top with a 15-foot drop into a large pothole historically known as the “Maidens Well.” Just below it is a 20-foot-high cascade where the waters continue their downward course. The two together are frequently photographed by tourists. Look closely and you will notice that the image of a dog’s head is profiled in the rocks.

A number of potholes are prominently displayed in the bedrock near the waterfalls.

Several smaller waterfalls are contained further upstream near the confluence of Kent Falls Brook and a tributary of nearly equal size, but these are outside the park and on private land.
History: Kent Falls is considered by many to be the “jewel of the inland parks.” The waterfall is located in the 295-acre Kent Falls State Park which was created in 1919 through a gift of 200 acres of land from Alain White to the State of Connecticut. Since then additional parcels of land have been acquired.

Although little sign of past industrialization exists today, Kent Brook was populated by a variety of mills during colonial times.

In the 1930s, the Civil Works Administration set about to develop the area, assigning the work to Camp Macedonia Company #1191. Although the work was completed according to plan, by the 1970s the park was already in need of a serious upgrade, and the Youth Conservation Corp of Connecticut took on the project of revitalizing the park.

Despite all of this, in 2006 still more renovations were needed, and an additional $1.1 million dollars was approved. New viewing platforms were created, the trail was redesigned, and a terraced observation area was made out of native flag stone next to the wading pool at the bottom of the falls.

Kent Falls achieved minor celebrity status when it served as background for a show on TV’s long-running soap opera, the Guiding Light.

The 37-foot-long Town Lattice Truss covered bridge crossing Kent Falls Brook at the beginning of the trail was built in 1974 by Edmund Palmer, a park employee.

A reproduction of a painting of Kent Falls by Willard Metcalf, a well-known nineteenth century American Impressionist, is displayed on an on-site historic plaque.
Directions: From Cornwall Bridge (junction of Rtes. 7 & 4 East) drive southwest on Rte. 7 for 3.9 miles. Turn left into Kent Falls State Park.

From Kent (junction of Rtes. 7 & 341), drive northeast on Rte. 7 for 5.0 miles and turn right into the park.

From the north end of the parking area, follow the main trail over a covered footbridge, and then across an open field to the base of the lower-most falls. From here, it is an ascent of over 250 feet following a well-constructed, in-laid stone trail, with periodic platform overlooks, and a railing made of thin cable that is neither obtrusive nor unduly offensive.

Macedonia Gorge & Falls

Location: North of Macedonia, Macedonia Brook State Park, Kent
Estimated GPS: 41º45.21’N; 73º29.58’W
Fee: None for visiting the waterfall; campsite fee only
Hours: Campsites are open from mid-April to September 30th. 51 sites available
Views: Lateral and head-on
Aesthetics: Fair
Characteristics: Rural; historic; small
Accessibility: Visible from top of ravine, or by following a short trail that leads down to old mill ruins
Degree of Difficulty: Moderately easy
Information: Macedonia Brook State Park, 159 Macedonia Brook Road, Kent, CT 06757; (860) 927-3238
Trail map available at ct.gov/dep/cwp/view.asp?a=2716&q=325234
Description: The falls in Macedonia Gorge are formed on Macedonia Brook—a comparatively small stream which rises in the West Woods areas, and flows into the Housatonic River by Kent.

The falls consist of a series of small cascades, none greater than 3–4 feet in height, which extend through a 100-foot-long ravine where the bedding is noticeably tilted. The stone ruins of an old forge can be seen by the base of the lower-most cascade where a small pool of water has formed. Flakes of iron ore are noticeable along the path that leads downhill to the ruins.

A small cascade 0.4 mile further upstream can also be seen. Like the ones in Macedonia Gorge, this fall is relatively unobtrusive. It is located on the left side of the road in a fairly scenic area where picnic tables overlook the ravine.

History: The falls in Macedonia Gorge are located at Macedonia Brook State Park, a 2,294-acre preserve containing 13 miles of trails. The park’s main stream, Macedonia Brook, has also been known as Nodine Hollow Brook and Forge Brook in the past.

Macedonia Brook State Park’s history dates back to 1918 when 1,552 acres of land were gifted to the State of Connecticut by the White Memorial Foundation of Litchfield. During the 1930s the Civilian Conservation Corp (CCC) became heavily involved in shaping the way the park looks today.

The name Macedonia comes from the biblical Book of Acts where the Lord is asked to “Come into Macedonia and help us.”

The area near Macedonia Gorge was originally occupied by the Scatacooks (Schaghticokes), a Native American tribe whose name refers to the confluence of the Housatonic River and nearby Ten Mile River.

The nearby village of Kent was settled in 1738. Macedonia quickly followed and soon was bustling with shops that included a cider mill, sawmill, and gristmill. But it was for its foundries that Macedonia was best known, starting between 1770 and 1773, when an iron works was erected on Macedonia Brook.

In 1826 the blast furnaces at Macedonia began smelting iron ore to convert cast iron into malleable iron, producing crowbars, agricultural implements, wagon wheel rims, and other metal-based items.

By 1848 all the timber in the immediate area had been harvested, forcing the iron companies to import timber from ever expanding distances. It was undoubtedly the loss of easily obtained local timber and the resulting need to harvest large quantities from widening distances which led to the furnaces closing in 1865; this along with the stiff business competition from the larger Pennsylvania mines.

Today you can still see the remains of the forge and stamping works at the south end of the park.
Directions: From Kent (junction of Rtes. 7 & 341), head northwest on Rte. 341 (which starts off as Bridge Street) for 1.8 miles until you come to a sign for Macedonia State Park. Turn right onto Macedonia Brook Road and drive north for 1.0 mile. You will see, to your left, a kiosk where the park’s rules & regulations are posted. Park at a sizable pull-off to your right. From here a series of small cascades can be seen from the top of the ravine. For a better look, follow a short trail down into the gorge for upstream views of the cascades.

A second, solitary cascade is reached at 1.4 miles. You will see it down in the ravine on the left side of the road.

Although Macedonia Brook Road and, further uphill, Keeler Road can be followed north for roughly 4 miles, there are no further cascades. Still this is a wonderful camping area, particularly if you are interested in doing a variety of hikes, or summiting 1,380–foot–high Cobble Mountain.

The ranger’s cabin/park office is reached at 1.9 miles as you proceed into Macedonia Brook State Park.

Sages Ravine
by Rick Sowash

Four Places on the Appalachian Trail for violin, French horn, cello and piano  (1992)
I.  Amicalola – Allegro
II.  Dragon’s Tooth – Allegro energico
III.  Sage’s Ravine – Larghetto
IV.  Katahdin – Molto allegro

Although it can stand alone, Sages Ravine is the third movement of a much larger work entitled Four Places on the Appalachian Trail. Here is what Rick had to say about the part for Sages Ravine:

“In this suite, I have tried to create musical gestures to convey feelings I have about four specific sites on the trail. The four movements — entitled Amicalola, Dragon’s Tooth, Sages Ravine, and Katahdin— are named after four of the trail’s outstanding features.

I like to think of Sages Ravine as a place where sages might be encountered, New England sages like Emerson and Thoreau, as well as present-day sages. What makes a sage? A sage reconciles opposites: joy and sorrow, good and evil, the sacred and the profane. They perceive the larger whole.

This piece begins with a musical evocation of Sorrow.  After a while, the music of Joy is heard and in 9/8, the meter of Bach’s famous “Jesu, Joy of Man’s Desiring.” My music in this section actually blends that Bach tune with our American folksong, “Shenandoah.” Sorrow returns, joy returns, and by the end of the piece the two opposites are reconciled. Sagacity is achieved!”